[vc_row][vc_column width=”1\/2″][vc_column_text]<\/p>\n

4 sierpnia \/ godzina: 19:00 \/ Dom Ludowy \/ bilety: 15 z\u0142<\/strong><\/p>\n

Kalendarz<\/a>\u00a0Program<\/a>[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_column_text]<\/p>\n

Serce mi\u0142o\u015bci\u00a0<\/b><\/p>\n

Polska 2017,\u00a0<\/span>78′<\/span><\/p>\n

 <\/p>\n

re\u017cyseria: <\/b>\u0141ukasz Ronduda<\/span><\/p>\n

scenariusz: <\/b>Robert Bolesto<\/span><\/p>\n

zdj\u0119cia:<\/b> \u0141ukasz Gutt<\/span><\/p>\n

monta\u017c: <\/b>Przemys\u0142aw Chrus\u0301cielewski, Alan Zejer, Nikodem Chabior<\/span><\/p>\n

muzyka: <\/b>Wojciech B\u0105kowski<\/span><\/p>\n

obsada: Justyna Wasilewska, Jacek Poniedzia\u0142ek<\/b><\/p>\n

producent: <\/b>Kuba Kosma<\/span><\/p>\n

produkcja:<\/b> serce<\/span><\/p>\n

nagrody: Forum Kina Europejskiego \u201eCinergia\u201d w \u0141odzi \u2013 najlepszy debiut; Festival A l’Est du Nouveau 2018 \u2013 najlepszy film<\/b><\/p>\n

 <\/p>\n

To historia zwi\u0105zku bardzo symbiotycznego, obsesyjnie sklejonego. Opartego na du\u017cym podobie\u0144stwie fizycznym, duchowym i artystycznym<\/span><\/i>\u00a0\u2013 m\u00f3wi re\u017cyser \u0141ukasz Ronduda. Jego drugi film (<\/span>Performer<\/span><\/i>, 15. NH) portretuje jedn\u0105 z najbardziej oryginalnych par polskiej sceny artystycznej: Wojtka B\u0105kowskiego (jego filmy ogl\u0105dali\u015bmy w sekcji Trzecie Oko w 2014 roku) i Zuzanny Bartoszek, m\u0142odej poetki i artystki. Androgyniczni, szczupli, bez w\u0142os\u00f3w, cz\u0119sto ubrani w identyczne uniseksy \u2013\u00a0B\u0105kowski i Bartoszek \u2013\u00a0wygl\u0105daj\u0105 jak m\u0119ska i \u017ce\u0144ska wersja tej samej osoby. A ich stan zakochania przypomina perwersyjn\u0105 wersj\u0119 narcyzmu, bo patrz\u0105c na kochanka, patrz\u0105 na w\u0142asne odbicie. W ich relacji mi\u0142o\u015b\u0107 przenika si\u0119 ze sztuk\u0105, jedna jest odbiciem drugiej. Intymnym wyznaniom i gestom nadana zostaje artystyczna forma. I odwrotnie\u00a0\u2013\u00a0sztuka jest ich sposobem na \u017cycie emocjonalne. Czy s\u0105 zafascynowani sob\u0105, czy bardziej swoimi artystycznymi personami? Czy ich zwi\u0105zek opiera si\u0119 na odczuwaniu, czy na performowaniu stan\u00f3w emocjonalnych? Artystyczna utopia, gdzie granica pomi\u0119dzy performansem a \u017cyciem, pomi\u0119dzy kreacj\u0105 wizerunku a prawd\u0105 uczu\u0107 zostaje zupe\u0142nie zatarta.<\/span><\/p>\n

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To historia zwi\u0105zku bardzo symbiotycznego, obsesyjnie sklejonego. Opartego na du\u017cym podobie\u0144stwie fizycznym, duchowym i artystycznym\u00a0\u2013 m\u00f3wi re\u017cyser \u0141ukasz Ronduda. Jego drugi film (Performer, 15. NH) portretuje jedn\u0105 z najbardziej oryginalnych par polskiej sceny artystycznej: Wojtka B\u0105kowskiego (jego filmy ogl\u0105dali\u015bmy w sekcji Trzecie Oko w 2014 roku) i Zuzanny Bartoszek, m\u0142odej poetki i artystki. 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