[vc_row][vc_column width=”1\/2″][vc_column_text]<\/p>\n

Termin: 13 lipca \/ godzina: 19:00<\/strong><\/p>\n

Miejsce: Dom Ludowy<\/strong><\/p>\n

Bilety: 15 z\u0142<\/strong><\/p>\n

Kalendarz<\/a>\u00a0Program<\/a>[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_column_text]<\/a>[\/vc_column_text][vc_column_text]<\/p>\n

Si\u00f3dma piecz\u0119\u0107 \/ <\/b>Det sjunde inseglet \/ The Seventh Seal<\/i><\/b><\/p>\n

Szwecja 1957,\u00a0<\/span>96′<\/span><\/p>\n

 <\/p>\n

re\u017cyseria: <\/b>Ingmar Bergman<\/span><\/p>\n

scenariusz: <\/b>Ingmar Bergman<\/span><\/p>\n

zdj\u0119cia:<\/b> Gunnar Fischer<\/span><\/p>\n

monta\u017c: <\/b>Lennart Wall\u00e9n<\/span><\/p>\n

muzyka: <\/b>Erik Nordgren<\/span><\/p>\n

obsada: <\/b>Max von Sydow, Gunnar Bj\u00f6rnstrand, Bengt Ekerot, Nils Poppe, Bibi Andersson<\/span><\/p>\n

producent: <\/b>Allan Ekelund<\/span><\/p>\n

produkcja:<\/b> Svensk Filmindustri<\/span><\/p>\n

nagrody:<\/b> MFF w Cannes 1957 \u2013 Specjalna Nagroda Jury; Nagrody W\u0142oskiego Zwi\u0105zku Dziennikarzy Filmowych 1961 \u2013 najlepszy re\u017cyser zagraniczny; Nagrody Sant Jordi1962 \u2013 film roku, najlepszy re\u017cyser zagraniczny<\/span><\/p>\n

 <\/p>\n

Widmo kr\u0105\u017cy po \u015bredniowiecznej Europie \u2013 mroczne widmo \u015bmierci. Epidemia dziesi\u0105tkuje ludno\u015b\u0107, a akty przemocy s\u0105 czym\u015b absolutnie powszechnym. Jakby atmosfera by\u0142a niewystarczaj\u0105co przyt\u0142aczaj\u0105ca, od wioski do wioski w\u0119druje procesja biczownik\u00f3w, aby przypomina\u0107 prostym ludziom o tym, \u017ce wszystkich czeka koniec. Rycerz Antonius Block, kt\u00f3ry wraz ze swoim giermkiem wraca w rodzinne strony po uczestnictwie w krucjatach, jest a\u017c nazbyt \u015bwiadomy ulotno\u015bci \u017cycia. Raz po raz odwiedza go odziany w czer\u0144 Pos\u0119pny \u017bniwiarz, z kt\u00f3rym gra w szachy, pr\u00f3buj\u0105c odwlec moment, kiedy nieodwo\u0142alnie zapadnie ciemno\u015b\u0107. <\/span>Si\u00f3dma piecz\u0119\u0107<\/span><\/i> Ingmara Bergmana jest ba\u015bni\u0105 o konfrontacji z ostateczn\u0105 perspektyw\u0105. W napisanym po \u015bmierci re\u017cysera artykule ameryka\u0144ski krytyk J. Hoberman nazywa ten s\u0142ynny film jawnie egzystencjalnym widowiskiem, kostiumow\u0105 wersj\u0105 <\/span>D\u017cumy<\/span><\/i> Camusa<\/span>.<\/span><\/i><\/p>\n

 <\/p>\n

S\u0142owo wprowadzaj\u0105ce przed seansem prof. Tadeusz Szczepa\u0144ski<\/span><\/p>\n

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