[vc_row][vc_column width=”1\/2″][vc_column_text]<\/p>\n

Termin: 14 lipca \/ godzina: 19:00<\/strong><\/p>\n

Miejsce: Dom Ludowy<\/strong><\/p>\n

Bilety: 15 z\u0142<\/strong><\/p>\n

Kalendarz<\/a>\u00a0Program<\/a>[\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_column_text]<\/p>\n

Persona<\/b><\/p>\n

Szwecja 1966,\u00a0<\/span>85′<\/span><\/p>\n

 <\/p>\n

re\u017cyseria: <\/b>Ingmar Bergman<\/span><\/p>\n

scenariuszy: <\/b>Ingmar Bergman<\/span><\/p>\n

zdj\u0119cia:<\/b> Sven Nykvist<\/span><\/p>\n

monta\u017c: <\/b>Ulla Ryghe<\/span><\/p>\n

muzyka: <\/b>Lars Johan Werle<\/span><\/p>\n

obsada: <\/b>Bibi Andersson, Liv Ullmann, Margaretha Krook, Gunnar Bj\u00f6rnstrand<\/span><\/p>\n

producent: <\/b>Ingmar Bergman<\/span><\/p>\n

produkcja:<\/b> Svensk Filmindustri<\/span><\/p>\n

nagrody:<\/b> Nagrody Guldbagge 1967 \u2013 najlepszy film i aktorka; National Society of Film Critics Awards 1968 \u2013 \u00a0najlepszy film, re\u017cyser i aktorka<\/span><\/p>\n

 <\/p>\n

Terkocz\u0105cy projektor wy\u015bwietla na ekranie przer\u00f3\u017cne obrazy i sceny, kt\u00f3rych zwi\u0105zku ze sob\u0105 mo\u017cemy si\u0119 jedynie domy\u015bla\u0107. Po tym ostentacyjnie awangardowym preludium, obna\u017caj\u0105cym maszyneri\u0119 kinowej fikcji, zaczyna si\u0119 w\u0142a\u015bciwa cz\u0119\u015b\u0107 filmu. Oto m\u0142oda piel\u0119gniarka Alma ma si\u0119 zaopiekowa\u0107 s\u0142ynn\u0105 aktork\u0105 Elisabet Vogler, kt\u00f3ra znajduje si\u0119 w stanie egzystencjalnego kryzysu. Pacjentka ucieka przed \u015bwiatem w bierno\u015b\u0107 i milczenie. Kobiety przenosz\u0105 si\u0119 ze szpitala do domku nad morzem, gdzie ich relacja staje si\u0119 coraz bardziej toksyczna. Dialektyka mi\u0142o\u015bci i ozi\u0119b\u0142o\u015bci. Fuzja umys\u0142\u00f3w. Metaforyczny i literalny wampiryzm. Wraz z up\u0142ywem czasu kameralny dramat przepoczwarza si\u0119 w psychologiczny horror. R\u00f3wnocze\u015bnie drapie\u017cn\u0105 i poetyck\u0105 <\/span>Person\u0119<\/span><\/i> Ingmar Bergman uwa\u017ca\u0142 za jeden ze swoich najbardziej spe\u0142nionych film\u00f3w.<\/span><\/p>\n

 <\/p>\n

S\u0142owo wprowadzaj\u0105ce przed seansem prof. Tadeusz Szczepa\u0144ski<\/span><\/p>\n

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